Sans Other Sylu 1 is a light, very wide, monoline, upright, tall x-height font.
Keywords: headlines, posters, logotypes, ui titles, game graphics, futuristic, techy, architectural, sci‑fi, mechanical, tech styling, systematic display, sci‑fi branding, industrial labeling, rectilinear, modular, angular, geometric, octagonal.
A sharply rectilinear sans built from straight strokes and clipped corners, giving many forms an octagonal, panel-like silhouette. Curves are largely replaced by squared bowls and angled joins; horizontals and verticals dominate, with occasional diagonals used for K, V, W, X, Y, and Z. Counters tend to be boxy and open, terminals are flat, and spacing feels intentionally engineered, producing a rigid, modular rhythm across words. The figures follow the same construction logic with squared shapes and segmented strokes, keeping a consistent techno-system feel in both caps and lowercase.
Best suited to short display settings where its angular construction can be appreciated: headlines, posters, branding marks, product names, and interface titles for tech or entertainment contexts. It can also work for on-screen graphics and game/film styling where a sci‑fi or industrial tone is desired, while longer passages may benefit from generous spacing and size to preserve clarity.
The overall tone is futuristic and technical, evoking digital interfaces, industrial labeling, and retro sci‑fi design. Its crisp geometry and corner-cut construction feel engineered and deliberate rather than humanist, projecting a cool, machine-made voice.
The design appears intended to deliver a distinctive geometric voice for technology-forward branding and display typography. By prioritizing straight segments, clipped corners, and consistent modular construction, it aims to look systematic and modern while remaining legible in concise text.
Several glyphs feature distinctive segmented crossbars and inset joins that create a stencil-like impression without fully breaking strokes. The lowercase maintains a geometric, constructed look rather than traditional handwritten cues, helping the font read as a coherent display system across mixed-case settings.