Sans Superellipse Sibel 1 is a bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype and 'Marce' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, authoritative, condensed, modern, poster-ready, space-saving, high impact, modern signage, structural clarity, monolinear, flat terminals, rectilinear, squared curves, high-impact.
A condensed, heavy sans with monolinear strokes and compact proportions. Curves are built from squared-off, superellipse-like shapes, giving round letters a rounded-rectangle feel rather than true geometric circles. Terminals are mostly flat and blunt, counters are tight, and joins are clean and sturdy, creating a dense color on the line. The lowercase shows single-storey forms for a and g, with short ascenders/descenders relative to the tall x-height, reinforcing a blocky, space-efficient rhythm. Figures are similarly narrow and robust, designed to hold up at large sizes with strong vertical emphasis.
Best suited for headlines, display typography, and short-form copy where strong presence and space efficiency matter—such as posters, storefront signage, packaging callouts, and bold brand wordmarks. It can also work for labels and UI headings when legibility is supported by sufficient size and spacing.
The overall tone is assertive and utilitarian, with a modern, engineered feel. Its condensed heft reads confident and attention-grabbing, leaning toward contemporary signage and editorial impact rather than delicate refinement.
The font appears designed to maximize impact in a condensed footprint while maintaining a consistent, superellipse-based construction. Its emphasis on blunt terminals, tight counters, and sturdy stroke economy suggests an intention toward modern display use, clear reproduction, and a firm, industrial voice.
The design relies on consistent verticals and squared curve logic across letters, producing a uniform, tightly packed texture in words. Apertures and counters stay relatively closed, which increases punch in headlines but can make small-size text feel dense.