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Free for Commercial Use

Solid Neje 9 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Fanchy' by ArimaType, 'Mr Dum Dum' by Hipopotam Studio, 'Big Black' by T-26, and 'Hugo' by The Infamous Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids, stickers, playful, chunky, bubbly, quirky, cartoon, impact, humor, friendliness, novelty, chunkiness, rounded, soft, blobby, puffy, ink-heavy.


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A heavy, rounded display face built from soft, inflated-looking shapes with fully filled counters and only occasional notches or bite-like cut-ins to suggest internal structure. Terminals are uniformly blunt and corners are broadly radiused, creating a smooth, cushiony silhouette throughout. Proportions are compact and top-heavy in places, with simplified geometry and uneven internal rhythm that reads intentionally irregular rather than strictly modular. In text, the dense black mass and collapsed apertures create strong texture and reduced letter differentiation, especially at smaller sizes.

Best suited to short display settings such as posters, splashy headlines, packaging callouts, children’s materials, and sticker-style graphics. It can work for logos or event titles when the goal is a soft, chunky presence, but it is not well suited to long-form reading due to its dense texture and filled-in interiors.

The overall tone is playful and goofy, with a friendly, toy-like presence that feels more cartoon and sticker than traditional typography. Its exaggerated softness and inky density give it a humorous, attention-grabbing character that leans toward fun, informal messaging.

The design appears intended to maximize visual impact through puffy silhouettes and solid black forms, prioritizing personality and graphic weight over conventional counterforms. The irregular shaping and simplified construction suggest a deliberate, cartoon-forward display font meant to feel fun and approachable.

Because many letters rely on outer silhouette rather than open counters, readability drops quickly as size decreases or tracking tightens. It performs best when given generous spacing and used as a graphic element where its bold shapes can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸