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Free for Commercial Use

Calligraphic Tamo 8 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: book covers, editorial, posters, invitations, packaging, antique, storybook, craft, whimsical, old-world, handcrafted classic, expressive serif, literary tone, theatrical display, bracketed serifs, inked, calligraphic, lively, textured.


Free for commercial use
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This font presents upright, serifed letterforms with pronounced stroke contrast and a distinctly inked, hand-rendered edge. Serifs are bracketed and often sharpen into small wedges, while curves show subtle irregularity and swelling that suggests a broad-nib or brush influence. Proportions are slightly varied from glyph to glyph, with lively widths and a gently uneven rhythm that keeps the texture organic without becoming chaotic. Terminals frequently taper or flick, and some letters show quirky, idiosyncratic details that read clearly at display sizes and remain serviceable in short text.

Best suited for display and short-to-medium text where its ink texture and contrast can be appreciated—book covers, editorial pull quotes, cultural posters, titles, and themed packaging. It also works well for invitations or announcements where a handcrafted, classic tone is desired, especially when paired with a restrained sans for supporting copy.

The overall tone feels antique and storybook-like, with a crafted, slightly eccentric elegance rather than strict, polished formality. It evokes printed ephemera and hand-inked headings—expressive, literary, and a bit theatrical—suited to projects that want character and warmth over neutrality.

The design appears intended to blend formal calligraphic structure with deliberately human irregularities, creating a serif voice that feels both classical and handmade. Its contrasting strokes and expressive terminals aim to deliver a distinctive, literary flavor while staying readable in common titling and text settings.

The uppercase set has a strong presence with dramatic contrast and crisp joins, while the lowercase leans more personable and irregular, creating a textured page color in paragraphs. Numerals and punctuation follow the same calligraphic logic, with tapered strokes and modest flourish that helps maintain stylistic consistency across mixed content.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸