Slab Normal Opja 3 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Emy Slab', 'Sanchez', 'Sanchez Slab', and 'Sánchez Niu' by Latinotype; 'Peckham' by Los Andes; and 'Egyptian Slate' and 'Sharp Slab' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sports, retro, rugged, confident, sporty, editorial, impact, readability, momentum, versatility, sturdy, chunky, ink-trap, bracketed, rounded.
A heavy, italicized slab-serif with a broad stance and compact internal counters. Strokes are blunt and full, with softened corners and subtle bracketed connections into the serifs, creating a sturdy, carved-in feel rather than sharp, modern geometry. The italic angle is consistent and produces lively diagonals in letters like A, N, V, W, and Y, while rounded bowls (O, Q, o, e) stay stable and dense. Overall spacing and proportions favor impact: short extenders, substantial curves, and squared terminals that keep silhouettes bold and highly legible at display sizes.
Best suited for large headlines, poster typography, product or apparel branding, and packaging where a bold, energetic voice is needed. It also works well for editorial pull quotes and short subheads, especially when the goal is to create strong emphasis and a dense, attention-grabbing texture.
The tone is assertive and energetic, with a classic, slightly nostalgic flavor reminiscent of headline slabs used for sports, posters, and bold editorial callouts. Its heft and slanted posture add motion and confidence, while the softened edges keep it approachable rather than severe.
The design appears intended as a dependable, high-impact slab for display typography, combining classic serif sturdiness with an italic slant for added momentum. Its softened corners and broad proportions suggest a focus on confident readability and punchy, everyday usability rather than delicate detail.
Numerals are thick and prominent with simple, blocky forms that match the letterweight well. Lowercase forms appear compact and sturdy, with a single-storey a and g and a pronounced, weighty rhythm that reads best when given breathing room. The overall texture on a line is dark and continuous, producing strong emphasis even in short phrases.