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Free for Commercial Use

Wacky Dedow 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Cord Nuvo' by Designova, 'Highman' by Eko Bimantara, 'Double Porter' by Fenotype, 'Conthey' by ROHH, and 'Brumder' by Trustha (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, event flyers, rowdy, western, retro, loud, playful, attention grab, thematic signage, retro display, quirky branding, blackletter, tuscan, flared, spurred, angular.


Free for commercial use
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A heavy display face with condensed proportions and chiseled, angular contours. Stems are straight and blocky, with frequent wedge-like cuts, notched joins, and spurred terminals that create a faceted, engraved look. Curves are minimized and corners are emphasized, giving the alphabet a rhythmic pattern of small “bites” and flare points; bowls and counters are compact and often squared-off. The lowercase follows the same ornamental construction, producing a consistent, tightly packed texture across words, while numerals echo the same blunt, cut-in detailing.

Best suited to short, high-impact settings such as posters, headlines, branding marks, and packaging where the carved detailing can be appreciated. It can also work for themed applications (e.g., vintage Western, circus, or novelty signage) when set with generous tracking and ample size.

The overall tone feels boisterous and theatrical, mixing a saloon-sign swagger with a mischievous, cartoonish edge. Its sharp nicks and spurs add a slightly aggressive energy that reads as attention-seeking and intentionally unconventional.

The design appears intended to deliver maximum personality in a condensed footprint, using spurs, notches, and flared terminals to create a distinctive, sign-painter/woodcut flavor. It prioritizes characterful silhouettes and decorative rhythm over neutral readability for extended text.

Letterforms tend to look stencil-carved or woodcut-inspired, with decorative interior shaping that can reduce openness at smaller sizes. The dense black mass and frequent terminal detailing create strong silhouettes and high impact, but also a busy word image in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸