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Slab Unbracketed Atdem 7 is a light, normal width, low contrast, italic, normal x-height font visually similar to 'Berthold Corporate E' by Berthold and 'Corporate E' and 'Corporate E WGL' by URW Type Foundry (names referenced only for comparison).

Keywords: editorial, book text, magazines, quotations, literary branding, classic, literary, refined, formal, text emphasis, editorial tone, classic italics, structured elegance, slab serif, unbracketed, crisp, calligraphic, bookish.


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This typeface is a slanted slab serif with crisp, square-ended serifs that meet stems without visible bracketing. The drawing is clean and relatively even in stroke weight, with gentle modulation rather than sharp contrast, and a consistent rightward italic angle across capitals, lowercase, and figures. Capitals have generous open counters and steady proportions, while the lowercase shows traditional serif-italic constructions (single-storey a, looped g, and a curved, calligraphic f), producing a lively rhythm in text. Numerals are oldstyle-leaning in feel, with varied silhouettes and diagonally stressed forms that harmonize with the italic stance.

It suits editorial layouts, book or journal typography, and pull quotes where an italic voice is needed without losing clarity. The slab details also make it effective for refined branding, invitations, or packaging that calls for a classic serif-italic character with a sturdy presence.

The overall tone is literary and editorial, with a composed, traditional voice that still feels animated due to the italic movement. It suggests careful typesetting, classic publishing, and a slightly formal sophistication rather than a casual or geometric mood.

The design appears intended as a readable serif italic that combines traditional calligraphic construction with the firmer structure of slab serifs. It aims to deliver a distinctive italic texture for emphasis in text while maintaining an orderly, composed typographic color.

The unbracketed slab serifs add a structured, authoritative backbone, while the italic forms keep the texture from becoming rigid. In running text the letterspacing appears comfortable and the word shapes are clear, with distinctive entry/exit strokes on letters like n, m, r, and t contributing to a fluent line.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸