Sans Superellipse Dubid 8 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Hudson NY Pro' by Arkitype, 'Necia' by Graviton, 'Gemsbuck Pro' by Studio Fat Cat, and 'From the Internet' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, ui labels, signage, branding, techy, industrial, confident, modern, utilitarian, modernization, impact, systematic, technical voice, compact clarity, rounded corners, squarish, compact, geometric, sturdy.
A heavy, squared sans built from rounded-rectangle and superellipse-like forms, with consistently softened corners and largely uniform stroke thickness. Counters are compact and often rectangular, giving letters a sturdy, blocky silhouette while maintaining smooth curves in bowls and joins. Proportions feel engineered and space-efficient, with short ascenders/descenders relative to the tall lowercase body and a generally even, mechanical rhythm across words. Numerals share the same squared, rounded construction, with clear, closed shapes and strong vertical emphasis.
This font is well suited to headlines, posters, and bold brand marks where a strong, engineered voice is desirable. It also fits UI labels, app navigation, dashboards, and on-product or wayfinding signage thanks to its sturdy shapes and consistent rhythm. For longer text, it will generally perform best at larger sizes where the compact counters and dense color have room to breathe.
The overall tone is modern and technical, with an industrial, no-nonsense presence. Its rounded corners keep it approachable, but the dense, modular shapes read as assertive and equipment-like rather than friendly or playful. The texture in text feels solid and functional, suggesting contemporary interfaces and product labeling.
The design appears intended to deliver a robust, contemporary sans that blends geometric efficiency with softened corners for a controlled, modern look. Its squared construction and uniform stroke behavior suggest an emphasis on clarity, consistency, and a distinctive technical character across letters and numbers.
The design leans on rectangular geometry in both letterforms and internal counters, producing a distinctive ‘squared’ color on the page. Several curves resolve into flattened terminals or rounded ends, reinforcing a systematic, constructed feel. In longer lines, the heavy weight and compact apertures create a strong typographic mass that favors display sizes and short bursts of copy.