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Free for Commercial Use

Stencil Tima 10 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'FF Signa' and 'FF Signa Round' by FontFont (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, signage, industrial, tactical, mechanical, rugged, utilitarian, stencil authenticity, high impact, industrial voice, display focus, branding texture, rounded corners, modular, monoline, ink-trap feel.


Free for commercial use
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A heavy, monoline stencil sans with broad proportions and softly rounded outer corners. Strokes are cut with consistent stencil breaks that create clear bridges, often placed at terminals and within bowls, producing a segmented, modular construction. Counters are compact and geometry leans toward squared forms with occasional angled cuts, giving many letters a machined, template-like silhouette. The texture is dense and high-impact, with tight internal spacing and a slightly “ink-trap” feel where joins and apertures open into deliberate notches.

Best suited for display settings where the stencil bridges and bold mass can read clearly, such as posters, headlines, logos, packaging, and wayfinding or labeling graphics. It works especially well for themes involving industry, military/tactical styling, sci‑fi interfaces, or rugged product branding where a hard-edged, engineered voice is desired.

The design reads as industrial and tactical, evoking shipping stencils, equipment labeling, and engineered surfaces. Its chunky, segmented forms convey toughness and a no-nonsense tone, with a retro-futuristic, utilitarian edge that feels at home in rugged branding and technical graphics.

The letterforms appear designed to deliver maximum impact with an unmistakable stencil identity, balancing strong geometric blocks with rounded corners for a contemporary, manufactured feel. The consistent break logic suggests an intent to mimic cut-stencil production while maintaining a cohesive rhythm across caps, lowercase, and numerals for branding and titling use.

The stencil gaps are large enough to remain legible at display sizes while still clearly defining the style; at smaller sizes the breaks and tight counters may become the dominant detail. Numerals and capitals share the same blocky rhythm, and diagonals (notably in forms like K, V, W, X, Y, Z) are simplified into bold, angular cuts that reinforce the mechanical character.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸