Sans Faceted Ilje 4 is a light, very narrow, monoline, upright, normal x-height font.
Keywords: titles, posters, game ui, book covers, album art, runic, angular, occult, handmade, enigmatic, fantasy styling, mystique, inscriptional feel, display impact, thematic branding, faceted, spiky, linear, tall, quirky.
A tall, linear display face built from straight strokes and crisp corners, with planar facets replacing most curves. Strokes remain consistently thin, while terminals alternate between blunt cuts and pointed joins, creating a slightly irregular, hand-drawn rhythm. Counters are narrow and often diamond- or wedge-like, and several forms use simplified, geometric construction (notably the round letters and digits) that emphasizes sharp angles over smooth continuity. Spacing reads open but uneven in a deliberate way, reinforcing the font’s crafted, rune-like texture in text.
Best suited to short display settings where its angular construction can be appreciated—titles, poster headlines, game or tabletop UI, book and chapter headers, and thematic packaging. It can also work for logos or wordmarks when a coded, rune-like atmosphere is desired; for extended reading, larger sizes and generous spacing will help preserve clarity.
The overall tone feels cryptic and ceremonial—part ancient inscription, part fantasy prop typography. Its sharp geometry and unconventional letterforms suggest mystery and ritual, while the airy stroke weight keeps it from becoming heavy or aggressive. In longer lines it reads like a coded script, lending an atmospheric, story-driven character.
The design appears intended to translate rune- and inscription-inspired geometry into a modern, lightweight display alphabet. By prioritizing straight segments, sharp joins, and recurring diamond structures, it aims to create a cohesive “faceted” voice that feels archaic and magical while remaining usable in contemporary layouts.
Distinctive diamond motifs and wedge-shaped apertures recur across letters and numerals, helping the design hold together as a system despite varied glyph widths. The dot of the i/j appears as a small round point, providing a subtle contrast to the otherwise faceted construction. Numerals follow the same angular logic, with several figures built from zigzag or rhomboid outlines rather than conventional curves.