Sans Normal Opboh 9 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Fuller Sans DT' by DTP Types, 'PG Gothique' by Paulo Goode, 'Plymouth Serial' by SoftMaker, and 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui labels, modern, confident, friendly, straightforward, clean, clarity, impact, versatility, modernity, geometric, round, solid, crisp, neutral.
This typeface presents as a solid, contemporary sans with rounded bowls and largely geometric construction. Strokes are heavy and even, with clean joins and minimal modulation, giving letterforms a crisp, high-contrast-on-background presence without relying on sharp flares or ornament. Counters are open and well-shaped (notably in forms like a, e, and 6/9), and terminals are mostly straight-cut with occasional subtle rounding in curves, producing a controlled, consistent rhythm. The lowercase shows compact, utilitarian shapes with a single-storey a and g, while capitals are broad and stable with simple, geometric silhouettes.
It performs best in display sizes where its weight and clean geometry can deliver strong impact—headlines, posters, and prominent brand messaging. The straightforward shapes and sturdy numerals also suit signage and interface labels where quick recognition is important.
The overall tone is modern and self-assured, balancing neutrality with a friendly roundness in the curves. It reads as straightforward and practical rather than expressive, making it feel dependable and approachable in contemporary branding and interface contexts.
The design appears intended as a versatile, contemporary workhorse sans that emphasizes clarity and bold presence while staying visually neutral. Its geometric roundness and simplified lowercase forms suggest a focus on modern readability and broad usability across print and digital applications.
The figures are clear and sturdy, with rounded forms that maintain distinct silhouettes at a glance. Uppercase punctuation-like shapes and diagonals (such as V/W/X/Y) feel firm and linear, while curved letters (C/G/O/Q/S) keep a smooth, consistent arc that reinforces a geometric sensibility.