Sans Superellipse Jiged 1 is a very bold, wide, medium contrast, upright, normal x-height font.
Keywords: headlines, logotypes, posters, packaging, sports branding, techno, industrial, arcade, futuristic, assertive, display impact, tech aesthetic, geometric uniformity, branding strength, geometric, squared, rounded corners, blocky, stencil-like.
A heavy geometric sans built from squared, superellipse-like forms with noticeably rounded outer corners and mostly flat terminals. Counters tend to be rectangular or squared-off, and several characters use small cut-ins and notches that create a slightly segmented, almost stencil-like construction (especially in bowls and joints). Curves are minimized in favor of broad planes and chamfered-looking transitions, producing a compact, blocky rhythm with strong horizontal and vertical emphasis. Numerals follow the same architecture, with squared bowls and crisp internal openings that stay clear at display sizes.
Best suited to display contexts where impact and a technical voice are desired: headlines, poster typography, product or packaging titles, and brand marks that need a solid, engineered aesthetic. It also fits interface headers, esports or sports-style graphics, and short, high-contrast statements where the squared counters and notches can be appreciated.
The overall tone is bold, mechanical, and game-like, evoking arcade UI, sci-fi labeling, and industrial signage. Its squared geometry and notched details add a rugged, engineered feel that reads as modern and utilitarian rather than friendly or literary.
The font appears designed to deliver maximum visual weight with a clean, geometric construction, using rounded-rectangle anatomy and small internal cutaways to create a distinctive, industrial signature. The goal seems to be a contemporary display sans that feels technological and robust while remaining highly consistent across letters and figures.
The design’s distinctive identity comes from the combination of rounded-rectangle silhouettes and deliberate interior cutouts, which adds texture and prevents large black shapes from feeling too monolithic. The uppercase presence is particularly strong and uniform, while the lowercase keeps the same modular logic for a consistent voice across mixed-case settings.