Print Novo 2 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Northpole' by 38-lineart, 'Swiss 721' by Bitstream, 'Newhouse DT' by DTP Types, 'Helvetica Now' by Monotype, 'Reyhan' by Plantype, and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).
Keywords: posters, packaging, headlines, children’s, craft labels, playful, handmade, casual, quirky, warm, handmade texture, friendly tone, casual display, human warmth, brushy, rough-edged, inky, rounded, bouncy.
A hand-drawn, ink-like print face with rounded forms and noticeably irregular stroke edges. Letterforms show gentle wobble and slight variations in width and curve, creating a lively rhythm rather than strict repetition. Counters are generally open and legible, with simplified construction and softened terminals that feel brush- or marker-made. Capitals and lowercase share a consistent, informal skeleton, while numerals keep the same rough, organic texture.
Works best for display uses where a handmade voice is desirable—posters, labels, packaging, menus, book covers, and social graphics. It can handle short paragraphs, but it’s most effective for headlines, pull quotes, and branding accents where the textured, informal personality can be appreciated.
The overall tone is friendly and approachable, with a playful, imperfect charm that reads as human and spontaneous. Its roughened contours and bouncy spacing suggest an easygoing, crafty attitude suited to casual communication rather than formality.
The design appears intended to replicate the look of quick hand-lettered print made with a brush pen or marker, balancing readability with visible imperfections. It aims to add warmth and personality, offering a natural, slightly messy texture that differentiates it from clean geometric or neo-grotesque styles.
Texture is a defining feature: edges appear slightly chipped or uneven, giving printed text a tactile, stamped/inked impression. The font maintains good clarity in short passages, though the deliberate irregularity becomes more prominent at larger sizes where the rough outline character is most visible.