Sans Superellipse Oglaz 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Festivo LC' by Ahmet Altun, 'Brinova' by Digitype Studio, 'PF Eef' by Parachute, 'Treadstone' by Rook Supply, 'SK Merih' by Salih Kizilkaya, 'Feruka' and 'Jefith' by Twinletter, and 'Breuer Condensed' by TypeTrust (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, friendly, compact, retro, playful, impact, approachability, compactness, geometric consistency, display emphasis, rounded, chunky, soft corners, geometric, high contrast (mass).
This typeface uses heavy, uniform strokes with rounded-rectangle construction throughout, giving counters and bowls a squarish, superelliptical feel. Terminals are consistently softened, producing blunt, cushioned ends rather than sharp cuts. Proportions are compact with tight inner counters and a sturdy vertical emphasis; curves are simplified and highly controlled, creating a steady, blocky rhythm across words. Numerals and capitals follow the same rounded geometry, keeping the overall texture dense and even in continuous text.
Best suited to headlines, posters, packaging, and identity work where a compact, high-impact voice is needed. It can also work for short UI labels or signage when strong presence and quick recognition are priorities, though the dense counters suggest avoiding very small sizes for long passages.
The overall tone is confident and approachable, mixing a utilitarian boldness with a playful softness from the rounded corners. Its compact, chunky forms suggest a slightly retro, sign-like energy while remaining clean and contemporary.
The design appears intended to deliver maximum visual impact in a compact footprint while maintaining a friendly, approachable character. Its rounded-rectangle skeleton and softened terminals aim for a cohesive, geometric look that feels contemporary and robust.
In the text sample the spacing and heavy weight create a strong, dark typographic color, making the font feel impactful at display sizes. The superelliptical counters (notably in rounded letters and numerals) reinforce a consistent, engineered geometry that reads as modern and friendly rather than mechanical.