Sans Superellipse Asdav 6 is a light, narrow, low contrast, upright, tall x-height font.
Keywords: ui labels, signage, editorial, posters, branding, modern, clean, minimal, technical, airy, space saving, clarity, geometric voice, modern utility, systematic design, condensed, monoline, rounded, geometric, superelliptic.
A condensed, monoline sans with rounded-rectangle (superellipse) construction and consistently softened corners. Strokes maintain an even thickness with minimal modulation, producing crisp counters and a steady vertical rhythm. Proportions favor tall, slim forms; round letters like C, G, O, and Q read as squarish ovals, while joins remain restrained and uncluttered. Lowercase shows simple, functional shapes with a single-storey a and g, compact apertures, and short, tidy terminals; figures are similarly streamlined and align visually with the text color of the alphabet.
This design works well where a compact footprint is helpful: UI labels, navigation, dashboards, and other information-dense layouts. Its clean, even stroke and condensed rhythm also suit contemporary editorial headings, poster typography, and brand systems that aim for a modern, efficient look.
The overall tone is contemporary and pared back, with a quiet technical character. Its narrow stance and rounded geometry feel efficient and architectural, while the softened corners keep it approachable rather than harsh. The result is a calm, modern voice suited to understated branding and interface-forward design.
The letterforms appear designed to deliver a space-saving sans with a consistent, engineered geometry and a softened, friendly edge. By combining condensed proportions with superelliptic round forms and restrained detailing, it aims for clarity and a distinctive modern silhouette in both headings and continuous text.
The font’s condensed spacing and tall proportions create a strongly vertical texture in paragraphs, with high consistency across straight and curved strokes. The rounded-corner treatment is applied broadly—most evident in bowls and corners—giving the design a unified, engineered feel without decorative gestures.