Print Ahloz 3 is a regular weight, normal width, low contrast, italic, short x-height font.
Keywords: headlines, packaging, posters, invitations, social media, casual, friendly, personal, energetic, playful, handwritten realism, casual tone, expressive display, friendly branding, brushy, slanted, rounded, looping, bouncy.
A lively, handwritten print style with a consistent rightward slant and smooth, brush-like stroke endings. Forms are built from rounded, open curves and quick diagonal joins, with modest stroke modulation and softly tapered terminals rather than sharp corners. Proportions feel compact in the lowercase, with small counters and frequent looped shapes (notably in letters like g, y, and j), giving the line a bouncy, irregular rhythm typical of fast marker writing. Capitals are slightly taller and more gestural, keeping the same casual structure without becoming formal or calligraphic.
Works well for short to medium text where a personable, handwritten feel is desired—such as headlines, quotes, greeting cards, invitations, packaging callouts, and social media graphics. It also suits branding elements that benefit from an informal, human tone, especially when set with generous spacing and moderate sizes for readability.
The font reads as informal and approachable, with a breezy, conversational tone. Its quick, slightly uneven rhythm suggests spontaneity and human presence, making text feel like a personal note or a friendly headline rather than a polished corporate voice.
Designed to mimic quick, natural handwriting in an unconnected print style, balancing legibility with expressive movement. The aim appears to be a versatile casual script-like look for display and messaging, capturing the spontaneity of brush or marker lettering without heavy contrast or ornate flourishes.
The texture is smooth and continuous, with minimal pen lifts and a generally consistent stroke color, which helps maintain clarity even as letter widths vary. The overall impression is cohesive and legible in short phrases, while the lively motion and tight internal spaces can make dense paragraphs feel more animated than neutral.