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Sans Normal Isky 3 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'ATC Duel' by Avondale Type Co. and 'Favela' by Machalski (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, social graphics, assertive, playful, retro, friendly, punchy, impact, friendliness, retro appeal, headline clarity, brand presence, rounded, blocky, chunky, soft corners, high impact.


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A heavy, rounded sans with broad proportions and compact internal counters. Strokes are full and consistent, with smooth curve transitions and subtly softened corners that keep the shapes from feeling harsh. Round letters like O and C read as wide ovals, while diagonals and joins (V, W, X, K) are stout and simplified for a solid, poster-like silhouette. The lowercase is robust and closed-in, with single-storey a and g, a small-e aperture, and short, thick terminals that maintain a dense, even rhythm. Numerals are large and bulbous, favoring bold, simple forms with small cut-ins and generous mass.

Best suited to big, attention-grabbing applications such as headlines, posters, packaging, logo wordmarks, and social media graphics. It works well where a compact, high-density texture is desirable—signage and bold campaign typography—rather than long-form reading at small sizes.

The overall tone is loud, confident, and approachable—more fun than formal. Its inflated, chunky shapes evoke a retro display sensibility while staying clean and modern enough for contemporary branding. The font projects warmth and friendliness through rounded geometry, while the dense weight gives it a commanding presence.

This design appears intended as a high-impact display sans that combines rounded, approachable forms with a dense, commanding weight. The goal seems to be strong shelf and screen presence with a playful, retro-leaning character that remains straightforward and easy to set.

In text settings the tight counters and heavy joins can reduce interior clarity, especially in smaller sizes, but the design remains highly legible at headline scales. The shapes keep a consistent visual color across lines, producing strong blocky paragraphs and very stable word silhouettes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸