Sans Faceted Omku 7 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Alilato Arabic' by Alilato, 'Delargo DT' by DTP Types, 'Noah' by Fontfabric, 'Morandi' by Monotype, 'Santral' by Taner Ardali, and 'Liteweit' by TypeArt Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage/ui, technical, industrial, retro, add edge, tech aesthetic, geometric clarity, geometric, faceted, angular, chamfered, monolinear.
A geometric sans with monolinear strokes and distinctive chamfered corners that turn curves into short planar facets. The overall construction feels drafted and deliberate: round letters (C, G, O, Q) read as polygonal forms, while straight-sided characters keep crisp terminals and clean joins. Proportions are compact and even, with open counters and steady spacing that keeps text legible while preserving the angular signature. Numerals follow the same faceted logic, giving the set a cohesive, engineered rhythm.
Well-suited to headlines, posters, and branding systems that want a precise geometric voice with a distinctive edge. It can work for packaging, labels, and wayfinding where strong shapes and quick recognition matter. In UI or interface-style graphics, it complements technical themes, dashboards, and product typography, especially at medium-to-large sizes.
The faceted geometry gives the typeface a technical, industrial tone with a subtle retro-digital flavor. It feels precise and utilitarian rather than friendly, projecting a sense of machinery, signage, and engineered objects. The repeated bevel-like cuts add a tactile, “machined” character that reads as contemporary but rooted in earlier techno aesthetics.
The design intent appears to be a clean, general-purpose sans infused with a signature faceted treatment, replacing smooth curvature with controlled, beveled planes. This approach preserves familiar sans proportions while adding a memorable, engineered personality for modern tech and industrial-leaning identities.
The angular treatment is consistent across uppercase, lowercase, and figures, so the font maintains its identity in both display lines and longer text. The faceting is noticeable without becoming overly jagged, and the overall silhouette remains stable and calm, especially at larger sizes where the planar cuts become a primary design feature.