Sans Superellipse Tumo 11 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Korolev' by Device, and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: branding, posters, packaging, headlines, signage, friendly, playful, casual, retro, humanist, soften geometry, add warmth, space saving, display clarity, rounded, condensed, soft, quirky, sturdy.
A condensed sans with softly rounded, superellipse-like curves and minimal stroke contrast. The outlines feel slightly irregular in a deliberate, hand-touched way, with terminals that round off rather than sharply cut. Counters are compact and often squarish-oval, giving bowls and rounds a gently flattened geometry. Spacing reads tight but even, and the overall rhythm is lively without becoming chaotic, keeping a sturdy, readable silhouette across letters and numerals.
This font works best where a compact, friendly voice is needed—brand marks, packaging fronts, posters, short headlines, and wayfinding or casual signage. Its condensed proportions help fit more characters into limited width while keeping a soft, approachable color in text. For longer reading, it’s likely strongest at moderate sizes where its rounded forms and tight rhythm remain clear.
The tone is approachable and informal, blending a retro sign-painting friendliness with a modern, simplified structure. Its rounded corners and slightly quirky stroke behavior make it feel warm and personable rather than strictly technical. It conveys a light, everyday energy that suits conversational or characterful messaging.
The design appears aimed at delivering a softened geometric sans that avoids sterile precision. By pairing rounded-rectangle construction with subtle irregularity, it seeks a contemporary, compact workhorse feel while retaining warmth and personality for display-led typography.
Round letters like O and Q lean toward rounded-rectangle forms, reinforcing the superellipse impression. The lowercase shows simple, utilitarian shapes (not overly calligraphic), while the caps stay compact and upright, creating a consistent, poster-ready texture. Numerals share the same softened geometry, helping mixed text and figures feel cohesive.