Sans Superellipse Vulo 2 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, branding, ui display, posters, futuristic, tech, sleek, geometric, space-age, modernize, digitize, streamline, geometric branding, rounded corners, squared curves, extended, clean, modular.
A geometric sans built from rounded-rectangle and superellipse forms, combining straight segments with broad, softened corners. Strokes are consistently even, with open counters and generous horizontal reach that gives the letters a low, streamlined silhouette. Round letters like O and Q read as squarish ovals, while curves in C, G, and S resolve into flattened arcs rather than fully circular bowls. Terminals are typically cut flat, and many joins and bends are engineered with smooth radii, producing a crisp, constructed rhythm across capitals, lowercase, and figures.
Best suited to display sizes where its extended width and rounded-rect geometry can read clearly—such as headlines, wordmarks, packaging, posters, and tech-forward branding. It can also work for UI titles and dashboards when a sleek, modern tone is desired, though its wide proportions will demand more horizontal space in tight layouts.
The overall tone feels futuristic and engineered—clean, controlled, and slightly sci‑fi—evoking user interfaces, technology branding, and contemporary transport or industrial design. The wide stance and softened geometry keep it approachable while still reading as modern and technical.
The font appears designed to translate superellipse-based geometry into a practical sans that feels modern and digitally native. Its consistent rounding and flat terminals suggest an intention to balance friendly softness with a precise, engineered structure for contemporary display typography.
The design emphasizes horizontal continuity: several glyphs use long bars and flattened curves (notably in E/F/T and the numerals), which strengthens a streamlined, display-oriented presence. The lowercase maintains the same squarish rounding as the uppercase, helping mixed-case settings look cohesive and intentionally geometric.