Sans Superellipse Aldov 6 is a very light, narrow, monoline, upright, normal x-height font.
Keywords: ui labels, tech branding, headlines, posters, wayfinding, futuristic, technical, minimal, clean, sci‑fi, modernize, systematize, signal tech, maximize clarity, geometric, rectilinear, rounded corners, angular joins, squared counters.
A geometric sans built from straight strokes and rounded-rectangle curves, producing squarish bowls and counters with softened corners. The stroke weight stays consistent throughout, with crisp terminals and occasional chamfered or angled joins that keep diagonals sharp (notably in forms like A, K, V, W, and Y). Proportions are compact and condensed, with tall ascenders/descenders relative to the lowercase and open, airy interior spaces that maintain legibility at display sizes. Numerals and round letters lean toward boxy, superellipse-like constructions, giving the set a precise, engineered rhythm.
This font is well suited to interface labels, dashboards, and product branding where a precise, contemporary voice is desired. It also performs strongly in headlines, posters, and short blocks of text that benefit from its condensed footprint and distinctive squared-round forms, as well as signage and wayfinding where a clean geometric silhouette helps quick recognition.
The overall tone feels modern and instrument-like—cool, controlled, and slightly retro-futurist. Its squared curves and fine-line construction suggest digital interfaces, schematics, and science-fiction titling rather than warmth or calligraphic personality.
The design appears intended to translate rounded-rectangle geometry into a coherent alphabet with a strict, monoline discipline. By favoring squared counters, softened corners, and sharp diagonals, it aims to communicate modernity and technical clarity while remaining visually distinctive in display settings.
The design emphasizes verticality and even spacing, with many curved characters resolving into rounded corners rather than true circles. The lowercase includes simple single-storey constructions (e.g., a) and tall, linear stems (e.g., l, i, t), reinforcing a streamlined, system-oriented texture in paragraphs.