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Sans Contrasted Kime 3 is a regular weight, wide, very high contrast, upright, tall x-height font.

Keywords: headlines, posters, logotypes, gaming ui, tech branding, futuristic, techno, industrial, digital, sci-fi, display impact, tech aesthetic, constructed forms, interface feel, branding distinctiveness, octagonal, stencil-like, modular, geometric, angular.


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A geometric, modular sans built from sharp, rectilinear strokes with clipped, octagonal corners. The design relies on strong horizontal bands paired with very thin verticals and joins, creating a pronounced thick–thin rhythm across most glyphs. Counters are generally open and rectangular, with frequent internal gaps and segmented construction that gives many letters a cut or slotted look. Uppercase forms are compact and engineered, while lowercase keeps a similarly structured feel with simplified bowls and straight-sided curves; numerals follow the same banded logic with squared terminals and occasional diagonal elements.

Best suited to short display settings where its angular cuts and banded horizontals can read clearly: headlines, posters, event titles, sci‑fi or tech branding, and interface or gaming UI labels. It also works well for wordmarks and badges where a constructed, industrial look is desired, but it will be less comfortable for long passages at small sizes due to its segmented structure and extreme stroke contrast.

The overall tone is futuristic and machine-like, evoking digital interfaces, industrial labeling, and sci‑fi title design. Its segmented strokes and hard corners communicate precision and a constructed, technical personality rather than warmth or handwriting.

The design intention appears to be a striking, futuristic display sans that uses modular geometry and segmented strokes to create a distinctive, engineered texture. By emphasizing heavy horizontals and hairline verticals, it aims for a high-tech, signage-like presence with strong visual identity.

Letterforms maintain a consistent cap height and a disciplined grid logic, but the extreme contrast and frequent breaks make the texture more display-oriented than text-oriented. Spacing appears fairly open in the sample, helping prevent the thin connections from visually collapsing, while the banded horizontals create a distinctive striped word shape at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸