Sans Superellipse Asliv 2 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, headlines, branding, packaging, posters, clean, modern, airy, techy, friendly, geometric clarity, modern branding, soft tech, minimal display, geometric, rounded, superelliptical, open, minimal.
A very thin, monoline sans with rounded-rectangle (superellipse) construction and softly squared curves. Strokes stay consistent and crisp, with gently rounded terminals and corners that keep the geometry from feeling harsh. Round letters like O, C, and G read as smooth, squarish ovals, while verticals and horizontals are straight and even, creating a tidy rhythm. Lowercase forms are simplified and open, with a single-storey a and g, a short, straight-shouldered r, and compact bowls that maintain the same rounded-square logic across the set. Numerals follow the same light, geometric treatment, with clear, open counters and a restrained, minimalist drawing.
This face is well suited to contemporary branding, product identities, and editorial or poster headlines where a sleek, geometric voice is desired. It can work nicely for UI labels and interface chrome in larger sizes, as well as for packaging and minimalist layouts that benefit from its airy, rounded-square forms. For extended reading or very small sizes, its thin strokes may require careful sizing and contrast management.
The overall tone is calm, contemporary, and slightly futuristic, balancing precision with approachability. Its rounded-square curves give it a soft, product-oriented feel, while the thin strokes and clean geometry convey refinement and restraint. The result feels more sleek and digital than humanist, without becoming cold.
The design appears intended to deliver a clean, modern sans built from superelliptical shapes, aiming for a cohesive, system-like look with a friendly edge. Its simplified, open letterforms and consistent stroke treatment suggest a focus on clarity, contemporary aesthetics, and a distinctive rounded-square signature.
Because the strokes are extremely light, the font’s character depends heavily on whitespace and counterforms; it reads best when given room to breathe. The design language is notably consistent between uppercase, lowercase, and figures, emphasizing a unified, systematic geometry.