Print Pogiy 1 is a very bold, normal width, high contrast, italic, short x-height font.
Keywords: headlines, posters, packaging, signage, logos, retro, playful, friendly, lively, casual, display impact, handwritten warmth, retro flair, expressive caps, brush script feel, brushy, rounded, bouncy, swashy, soft terminals.
A very heavy, right-slanted script with brush-like modulation and rounded, swelling strokes. Letterforms are mostly unconnected but maintain a consistent cursive rhythm, with smooth joins implied by entry/exit strokes and occasional swashy shapes in capitals. Counters are compact, curves are generous, and terminals tend to be blunt or softly tapered, giving the outlines a painted, slightly calligraphic feel. The overall texture is dark and energetic, with noticeable variations in stroke width and character-to-character spacing that create a hand-drawn cadence.
Best suited for short, attention-grabbing text such as headlines, posters, storefront-style signage, packaging, and logo wordmarks where the bold, slanted brush rhythm can be a defining visual. It can also work for social graphics, event promotions, and menu or product highlights when set with generous spacing and ample size.
The font conveys a cheerful, vintage-leaning informality—confident, welcoming, and a bit theatrical. Its bold presence and bouncy movement feel suited to expressive, personality-forward messaging rather than quiet neutrality.
Likely designed to deliver a bold handwritten feel with the speed and energy of a brush script, prioritizing punchy display impact and a friendly, retro-tinged character. The emphasis appears to be on expressive capitals and a consistent cursive motion while keeping letters largely unconnected for flexible typesetting.
Capitals are especially prominent and expressive, helping the face work well for title-case settings. Numerals match the same brushy, cursive attitude, and the overall weight produces strong impact even at moderate sizes, though the dense black shapes suggest more comfort at display sizes than in long passages.