Slab Square Wegi 6 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: display, headlines, posters, branding, packaging, architectural, technical, minimal, precise, airy, geometric construction, technical elegance, display clarity, systematic rhythm, monoline, hairline, rectilinear, square-serifed, open counters.
A very light, monolinear design built from crisp straight strokes and right-angle turns, with slab-like, square-ended serifs that read more as small brackets or caps than heavy feet. Curves are simplified into rectilinear geometry: bowls, shoulders, and terminals often resolve into squared corners and flat edges, giving many glyphs a boxy, constructed silhouette. Counters are generous and open, and spacing feels measured, producing an overall light color and a clean, evenly paced rhythm. Diagonals appear sparingly and stay slender, while horizontals and verticals remain dominant, reinforcing a drafting-like structure.
Well-suited to large-size display settings such as headlines, posters, brand marks, and packaging where its geometric construction and hairline detailing can stay sharp. It can also work for UI labels or editorial pull quotes when used at comfortable sizes with ample tracking, but it is less optimized for dense, small-body text.
The tone is cool and engineered—more blueprint and signage system than literary. Its extreme lightness and squared construction convey restraint, precision, and a contemporary, design-forward attitude with a slightly retro technical feel.
The design appears intended to merge a slab-serif skeleton with a square, constructed drawing logic, prioritizing a distinctive architectural silhouette over traditional text warmth. By keeping contrast minimal and strokes extremely light, it aims to deliver an elegant, technical look that feels precise and modern while remaining typographically structured.
Because strokes are so thin, the face reads best where contrast against the background is strong and reproduction is crisp. The distinctive squared treatment of curves and terminals gives the alphabet a consistent modular personality, especially noticeable in rounded letters and in the numerals.