Print Omruf 10 is a bold, normal width, high contrast, italic, short x-height font.
Keywords: headlines, posters, packaging, branding, social media, lively, expressive, retro, casual, confident, handwritten feel, display impact, vintage flair, motion emphasis, casual tone, brushy, slanted, dynamic, rounded, inked.
This typeface uses a strongly right-slanted, brush-pen construction with pronounced thick–thin modulation. Strokes end in tapered, wedge-like terminals and occasional teardrop shapes, giving forms a painted, slightly calligraphic finish rather than a geometric one. Counters are generally open and rounded, with compact lowercase proportions and a notably small x-height relative to ascenders. The rhythm is energetic and irregular in a controlled way, with subtle variation in stroke weight and curvature that reinforces a hand-drawn feel while remaining consistent across the alphabet and numerals.
It performs best at display sizes where the brush modulation and tapered terminals can be appreciated—such as headlines, short slogans, posters, apparel graphics, packaging callouts, and branding accents. In longer text blocks it can remain readable, but the lively stroke contrast and tight lowercase proportions make it more suitable for short to medium bursts of copy.
The overall tone is upbeat and personable, with a vintage sign-painting flavor and a sense of motion. It reads as friendly and informal, but with enough contrast and sweep to feel stylish and attention-getting. The italic slant and brush texture cues add a confident, promotional character suited to expressive headlines.
The design appears intended to mimic quick, confident brush lettering for impactful display typography, balancing hand-rendered spontaneity with repeatable, font-like consistency. Its slanted stance and high-contrast strokes are tuned to create speed and emphasis, making ordinary words feel more energetic and promotional.
Uppercase forms are assertive and slightly condensed in feel, while the lowercase shows more cursive-like movement without actually connecting between letters. Numerals follow the same brush logic, with rounded shapes and clear stroke contrast that keeps them visually aligned with the letters.