Sans Contrasted Lebar 14 is a light, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, editorial, branding, posters, packaging, elegant, airy, refined, calm, literary, refinement, display clarity, editorial tone, modern-classic, distinctiveness, flared, calligraphic, tapered, incised, open.
This typeface uses clean, serifless letterforms shaped by tapered, flared stroke endings and a gently calligraphic construction. Strokes move between hairline-thin joins and fuller verticals, producing a crisp, high-definition rhythm without feeling heavy. Curves are smooth and open (notably in C, O, and e), while diagonals and terminals often sharpen to fine points, giving the outlines a lightly incised look. Proportions are moderately wide with generous counters and even spacing, supporting clear word shapes at display sizes.
It suits headlines, subheads, and short passages in magazines, books, and cultural or fashion-oriented layouts where a refined, airy texture is desired. The distinctive tapered terminals can bring character to branding, packaging, and poster work, especially at larger sizes where the contrast and sharp endings remain clear. For longer text, it will perform best with comfortable leading to preserve the delicate joins and open counters.
The overall tone feels elegant and composed, with a contemporary clarity tempered by classical, inscription-like nuance. The sharp terminals add a hint of drama and sophistication, while the open forms keep the texture light and readable. It suggests a cultured, editorial mood rather than a purely utilitarian voice.
The likely intention is to provide a modern sans voice with sculpted, calligraphic modulation—combining clean geometry and open readability with flared terminals that add elegance and a subtly classical edge. It appears designed to stand out in editorial and identity contexts without relying on overt ornament.
The design shows consistent taper logic across uppercase, lowercase, and numerals, creating a cohesive texture where endings feel intentionally sharpened rather than mechanically squared. The numerals share the same refined, flared treatment, and punctuation/diacritic details appear minimal and crisp in the sample setting.