Sans Normal Egmas 15 is a light, normal width, low contrast, italic, normal x-height font.
Keywords: body text, editorial, branding, ui text, captions, modern, clean, friendly, calm, readability, modernity, approachability, versatility, clarity, monoline, humanist, open apertures, rounded terminals, airy spacing.
This typeface is a slanted, monoline design with smooth, rounded strokes and gently tapered joins that keep the rhythm even and airy. Uppercase forms are simple and open, with circular bowls and softened corners; curves dominate over hard angles, and diagonals (A, V, W, Y) are clean and steady. The lowercase shows a relaxed, slightly humanist construction, with single-storey forms where applicable and prominent descenders (notably g, p, q, y) that add motion. Numerals are similarly rounded and open, with a straightforward, readable structure and consistent stroke behavior across curves and straights.
It works well for editorial typography, product and brand communication, and interface text where a refined yet approachable italic is needed. The open forms and steady stroke make it suitable for longer passages, captions, and supporting copy, while still carrying enough personality for headings and pull quotes at larger sizes.
The overall tone feels contemporary and approachable, balancing clarity with a mild, personable warmth. Its slant adds a sense of forward motion without becoming overly expressive, making it feel polished rather than casual. The rounded geometry and open counters contribute to a friendly, accessible voice suited to modern communication.
The design appears intended to provide a versatile, readable italic with modern, rounded construction and minimal ornamentation. Its consistent slant, open counters, and restrained detailing suggest a focus on clarity and broad applicability across digital and print contexts, with a gently personable tone.
Spacing appears generous, and counters remain open in letters like e, a, and s, supporting legibility in text. The Q’s tail and the hooked forms in j and y add subtle character while staying restrained. The italic angle is consistent across uppercase, lowercase, and figures, helping the font read as a coherent system in continuous text.