Sans Other Uhha 1 is a very light, normal width, low contrast, italic, normal x-height font.
Keywords: ui labels, tech branding, posters, headlines, signage, futuristic, technical, minimal, sleek, sci‑fi, futurism, tech aesthetic, display impact, geometric construction, angular, monoline, geometric, squared, wireframe.
A monoline, oblique sans built from angular, segmented strokes with rounded inner corners and open joins that give many letters a constructed, outline-like feel. Curves are largely suppressed in favor of squared counters and chamfered turns, producing boxy forms in characters like C, O, G, and S, while diagonals (A, K, V, W, X, Y) stay crisp and narrowly drawn. Terminals tend to be blunt and lightly offset, contributing to a modular rhythm and a slightly mechanical texture in continuous text. Figures follow the same geometry, with squared, digital-leaning shapes and clear separation between straight segments and corners.
It suits short-to-medium display settings where a high-tech voice is desirable: interface labels, product or esports branding, event posters, titles, and wayfinding with a contemporary aesthetic. It is especially effective when paired with clean layouts and generous spacing to let the angular construction remain legible.
The overall tone is modern and engineered, evoking instrumentation, CAD labeling, and sci‑fi interface typography. Its light, skeletal construction reads as precise and forward-looking rather than warm or traditional, with a deliberate, schematic personality.
The design appears intended to translate a geometric, modular drawing language into an oblique sans, prioritizing a futuristic, technical impression through squared bowls, chamfered turns, and uniform stroke weight. The constructed, wireframe-like forms suggest a focus on distinctive display character over conventional text neutrality.
Because many bowls and curves are rendered as squared forms with small corner radii, the font maintains a consistent grid logic across uppercase, lowercase, and numerals. In longer lines the repeated angled stems create a steady right-leaning momentum, while the open corners and narrow strokes keep the color airy and technical.