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Serif Forked/Spurred Omhu 1 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Gimbal Grotesque' by AVP, 'Copperplate New' by Caron twice, 'OL Signpainter Titling' by Dennis Ortiz-Lopez, 'Hanley Pro' by District 62 Studio, 'ITC Blair' by ITC, 'MVB Embarcadero' by MVB, 'Interval Sans Pro' by Mostardesign, and 'Lintel' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, book covers, vintage, collegiate, editorial, stately, confident, display impact, heritage tone, institutional feel, distinctive texture, bracketed, spurred, ball terminals, compact, high-ink.


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A heavy serif with pronounced, bracketed serifs and frequent spurs that create a forked, notched finish on many strokes. The letterforms are compact and strongly modeled, with rounded bowls, tight apertures, and stout verticals that keep the texture dark and even. Curves often terminate in small ball-like or teardrop terminals (notably in lowercase), while capitals lean toward sturdy, poster-like proportions with crisp, squared edges and clear baseline anchoring. Numerals follow the same robust, slightly condensed rhythm, maintaining strong presence and legibility at display sizes.

Best suited to headlines, titles, and short blocks of copy where its dark color and ornate spurs can be appreciated without crowding. It works well for branding moments that want a heritage or institutional feel—such as packaging, book covers, event graphics, and logo wordmarks—especially when set with generous size and measured tracking.

The overall tone feels traditional and emphatic, combining an old-style, print-era solidity with a slightly decorative, collegiate energy. The spurred detailing adds a crafted, heritage flavor that reads as confident and a bit ceremonial rather than minimal or neutral.

The design appears intended to deliver strong impact with a classic serif foundation, adding personality through forked spurs and rounded terminals. It prioritizes authority and recognizability in display settings while retaining enough structure to function in brief text passages when sized appropriately.

Spacing appears relatively tight for such heavy shapes, producing a dense, continuous color in lines of text. The design’s distinctive spur and terminal treatment becomes more apparent at larger sizes, where the notches and small bulb terminals read as intentional ornament rather than incidental ink gain.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸