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Free for Commercial Use

Wacky Esro 7 is a very light, very wide, high contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, sci-fi ui, event promos, techy, futuristic, playful, quirky, experimental, concept type, sci-fi styling, graphic texture, attention grabbing, monoline, rounded corners, terminal dots, geometric, wireframe.


Free for commercial use
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A thin, monoline display design built from geometric strokes with rounded rectangular curves and crisp straight segments. Many terminals end in prominent circular dots, giving the letters a “node-and-connector” construction that reads like a simplified circuit diagram. Curves are squared-off rather than fully round, counters are open and spacious, and several forms use single-stroke structures that keep the texture airy. The set mixes angular letters (like V/W/X/Y) with soft-cornered bowls (like O/Q/0/8), creating a consistent modular feel while staying deliberately unconventional.

Best suited to short display settings where the node-and-wire styling can be appreciated: headlines, poster titles, branding marks, album/film graphics, and tech- or sci‑fi-themed interfaces and packaging. It works well when paired with a restrained companion for body copy, using this face as an accent for names, section headers, or key calls to action.

The overall tone is playful and tech-forward, with a schematic, sci‑fi flavor driven by the dot terminals and wire-like strokes. It feels experimental and slightly mischievous—more like a designed graphic motif than a neutral text face—giving words a quirky, constructed personality.

The design appears intended to translate circuit-like connectivity and modular construction into letterforms, using dot terminals and squared curves to create a distinctive, futuristic signature. Its priority is visual character and concept-driven texture over conventional readability, making it a strong choice when a one-off, graphic typographic voice is desired.

The dotted terminals are visually dominant and become a secondary rhythm across lines, especially in punctuation-like details on letters and figures. Some glyphs lean toward open, simplified constructions, which increases distinctiveness but can reduce familiarity at smaller sizes. Numerals follow the same rounded-rectangle logic, with a notably geometric 0 and stacked-loop 8.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸