Sans Other Komiw 8 is a bold, normal width, monoline, italic, normal x-height font visually similar to 'Raker' by Wordshape (names referenced only for comparison).
Keywords: headlines, posters, branding, game ui, sports graphics, industrial, tactical, mechanical, stenciled, angular, display impact, industrial feel, stencil effect, speed cue, tech styling, chamfered, faceted, hard-edged, compact, high-contrast.
A hard-edged, slanted sans built from straight strokes and tight angles, with frequent chamfered corners and clipped terminals. Many letters incorporate deliberate breaks and notches that evoke a stencil-like construction, while counters tend to be polygonal rather than round. The overall rhythm is compact and forward-leaning, with simplified curves translated into faceted geometry; diagonals and verticals dominate, giving forms a rigid, engineered feel. Numerals follow the same angular logic, with segmented curves and crisp cut-ins that keep the set visually consistent in display sizes.
Well suited to headlines, logotypes, and short display lines where its angular, segmented construction can carry the visual identity. It also fits tech-leaning branding, esports/sports graphics, and game or interface titling where a rugged, engineered voice is desired. For longer text, generous size and spacing help preserve clarity around the stencil breaks and tight counters.
The font conveys a utilitarian, technical tone—assertive and controlled, with a hint of covert/industrial signage energy. Its sharp facets and intentional gaps create a sense of machinery, speed, and precision rather than warmth or friendliness.
The design appears intended to reinterpret a sans structure through faceted, stencil-inspired cuts, producing a forward-leaning, high-impact display voice. Its consistent chamfers and systematic gaps suggest a goal of evoking industrial marking and precision-built hardware while remaining recognizably sans in overall skeleton.
Because many shapes are fragmented by interior cuts, the texture becomes more graphic than typographic at smaller sizes; it reads best when the stencil breaks and chamfers have room to show. The pronounced slant adds motion and a poster-like emphasis, especially in uppercase runs.