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Free for Commercial Use

Solid Ogwa 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Hyperflow' by Dirtyline Studio and 'Bratsy Script' by Figuree Studio (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, goofy, chunky, cartoon, attention grab, playfulness, cartoon display, impact, blobby, rounded, soft, amorphous, puffy.


Free for commercial use
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This font is built from dense, rounded silhouettes with heavily softened corners and irregular, lumpy contours. Counters are largely collapsed or filled, so letters read as solid blobs with minimal internal definition, relying on overall mass and distinctive outer shapes for recognition. Stroke behavior is more like pooled ink or inflated shapes than traditional pen or geometric construction, producing uneven widths and a bouncy rhythm across the alphabet. Spacing and word shapes feel compact, with strong horizontal continuity as characters press into an almost continuous black band in text settings.

Use it for posters, splashy headlines, logo marks, packaging, and sticker-style graphics where a heavy, humorous presence is desirable. It’s especially suited to short, high-impact text in entertainment, confectionery, toys, or playful branding contexts, and less suited to long-form reading or small UI text.

The tone is playful and comedic, with a tactile “puffy” quality that feels like stickers, slime, or soft foam shapes. Its irregular outlines add a casual, handmade energy that suggests fun, kids-oriented messaging, or intentionally messy charm rather than precision or formality.

The design intention appears to be a solid, attention-grabbing display face that prioritizes bold silhouette and playful irregularity over internal detail. By collapsing counters and exaggerating rounded, blobby forms, it aims to create a distinctive, cartoonish texture that reads instantly as informal and fun.

Because interior openings are minimal, character differentiation comes primarily from terminals, notches, and overall silhouette, which can reduce clarity at smaller sizes or in dense paragraphs. It performs best when given room—larger sizes, short phrases, and high-contrast layouts—where the bold mass and quirky contours can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸