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Sans Contrasted Ople 5 is a light, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, logos, packaging, posters, magazine, fashion, luxury, editorial, art deco, dramatic, brand signature, editorial impact, decorative contrast, modern elegance, display, delicate, geometric, sleek, calligraphic.


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A stylized contrasted sans with extremely thin hairlines paired against bold, ink-trap-like black wedges and fills. Many forms lean on circular/elliptical geometry (notably in C, O, Q, and e) while verticals are often expressed as tapered slabs that create a sharp light–dark rhythm. Curves are drawn with fine monoline arcs that meet heavy masses cleanly, producing crisp junctions and a graphic, cut-paper feel. Proportions skew elegant and refined, with small details like hairline cross-strokes, narrow apertures, and occasional deep notches that emphasize the contrast rather than traditional stroke modulation.

Best suited for headlines, brand marks, and editorial typography where its graphic contrast can be appreciated. It works particularly well for fashion, beauty, and luxury packaging, as well as posters and short pull quotes. For longer passages, it is likely to be most effective when used large and with generous spacing.

The overall tone is high-fashion and theatrical, reading as premium and curated rather than neutral. Its stark alternation between whisper-thin lines and dense black shapes gives it a glamorous, poster-like presence with a subtle Art Deco sensibility. The effect is poised and modern, with an expressive edge that feels intentionally stylized.

This font appears designed to reinterpret a clean sans skeleton through a highly decorative contrast system, using filled wedges and hairline curves to create a distinctive signature. The goal seems to be strong visual identity and a memorable silhouette while maintaining relatively simple, modern letter structures.

At text sizes, the hairlines and joins create a sparkling texture while the heavy wedges anchor word shapes, making the design feel more like a crafted display face than a utilitarian workhorse. Numerals and capitals echo the same motif, using bold fills as structural accents rather than relying on conventional strokes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸