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Free for Commercial Use

Sans Contrasted Issy 5 is a bold, very wide, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, album art, retro, futuristic, quirky, theatrical, graphic, attention-grabbing, experimental display, logo-friendly, graphic impact, retro revival, flared, wedge-like, ink-trap feel, stylized, compact counters.


Free for commercial use
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A stylized sans with dramatic contrast between heavy vertical masses and hairline connectors, creating a cut-and-assembled, modular feel. Many forms rely on rectangular stems paired with thin, curved linking strokes and sharp wedge terminals, producing pronounced internal cutouts and tight counters in letters like O, Q, and e. The proportions are expansive, with broad uppercase widths and flattened curves, while diagonals (V, W, X, Y) read as bold slabs with crisp joins. Overall spacing and rhythm are driven by the alternation of solid black blocks and delicate lines, giving the alphabet a strong black-and-white patterning at display sizes.

Best suited to short, large-scale settings where its block-and-hairline contrast can read cleanly—headlines, posters, brand marks, packaging, and editorial or cultural titles. It can add a distinctive, graphic voice to signage or cover art, but will be less comfortable for long text due to its tight counters and highly stylized joins.

The tone is retro-futurist and experimental, with a theatrical, poster-like presence. Its high-contrast construction and unusual joins make it feel intentionally quirky and attention-seeking, balancing sleek hairlines with heavy, graphic silhouettes.

The font appears designed as a display face that explores extreme contrast and geometric massing, using hairline bridges and carved counters to create memorable silhouettes. Its intent is to stand out and build visual rhythm through alternating solid blocks and fine strokes rather than conventional uniform letterforms.

The design shows a consistent strategy of carving and slicing counters, often leaving small apertures or notches that add an ink-trap-like crispness. Numerals mirror the same block-and-hairline logic, with especially graphic shapes in 0, 3, 5, and 8 that emphasize cutouts and asymmetry.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸