Sans Faceted Ande 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'Bike Tag JNL' and 'Celluloid JNL' by Jeff Levine, 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, and 'Hyperspace Race Capsule' by Swell Type (names referenced only for comparison).
Keywords: sports branding, headlines, posters, packaging, game ui, athletic, industrial, futuristic, tactical, arcade, impact, ruggedness, modularity, signage, team identity, octagonal, chamfered, blocky, stencil-like, compact.
A heavy, geometric sans built from straight strokes and sharp chamfered corners, replacing curves with planar facets. Counters are mostly rectangular or octagonal, with angular joins and consistent stroke thickness creating a rigid, engineered texture. The fit is generally compact with squared shoulders and truncated terminals; diagonals appear selectively (notably in A, K, V, W, X, Y) but remain crisp and slab-like. Numerals follow the same faceted construction, giving figures a sign-painter/scoreboard clarity at display sizes.
This font is well suited to sports identities, uniforms, team merchandise, and bold headline systems where impact and a rugged tone are desired. It also works for posters, labels, and product packaging that benefit from an industrial or tactical voice, and for game/UI titling where angular, mechanical letterforms reinforce the theme.
The overall tone is tough and utilitarian, with a sporty, team-graphics energy and a slightly sci‑fi edge. Its angular cuts and hard corners suggest machinery, armor, and competitive branding rather than softness or elegance.
The design appears intended to deliver maximum impact with a faceted, engineered construction—evoking varsity and industrial cues while maintaining straightforward sans structure. The consistent chamfers and squared counters aim to create a cohesive, modular texture that stays legible in short, emphatic settings.
The faceting introduces distinctive corner notches and clipped apertures that keep forms feeling technical and modular. In longer text the dense weight and squared rhythm read best when given extra size or generous spacing to prevent the dark shapes from crowding.