Sans Other Onhi 1 is a bold, very wide, monoline, upright, tall x-height font visually similar to 'Kniga' by Umka Type (names referenced only for comparison).
Keywords: game ui, tech branding, posters, headlines, logos, sci-fi, tech, arcade, industrial, futuristic, futurism, interface display, systematic geometry, impact, angular, square, modular, stencil-like, geometric.
A heavy, modular sans built from straight strokes and crisp right angles, with occasional 45° cuts at corners and joins. Counters are mostly rectangular and tightly proportioned, and many letters use inset “notches” and internal gaps that create a stencil-like, segmented construction (notably in E, S, and several numerals). Curves are largely avoided; round forms such as O/Q read as squared bowls with uniform stroke thickness and sharp inner corners. Spacing appears generous and the overall silhouette is blocky and compact, with strong horizontal emphasis in many glyphs.
Best suited to display work where its angular construction and internal cutouts can be appreciated: game titles and UI labels, sci‑fi or tech-themed branding, event posters, packaging accents, and bold wordmarks. It can also work for short interface strings and signage where a strong, mechanical voice is desired, but it’s less appropriate for long-form reading.
The overall tone is assertive and mechanical, evoking digital interfaces, arcade-era display lettering, and industrial labeling. Its sharp geometry and cut-in details give it a synthetic, engineered feel that reads as futuristic rather than neutral.
The design appears intended to deliver a highly structured, futuristic display sans that prioritizes impact and a distinctive techno rhythm over conventional text comfort. The repeated notches and squared counters suggest a deliberate system of modular forms aimed at a cohesive, ‘engineered’ look across letters and numbers.
Distinctive notched terminals and stepped diagonals add texture at display sizes, while the tight counters and internal slots can start to close up in smaller settings. The uppercase and lowercase share a consistent, simplified geometry, and the numerals follow the same squared, segmented logic for a cohesive set.