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Free for Commercial Use

Serif Other Utbu 12 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Daily Tabloid JNL', 'Ingomar JNL', and 'Sheldrake JNL' by Jeff Levine; 'Industrial Gothic' by Monotype; 'Parkson' by Rook Supply; 'Bokarms Slab' by SMZ Design; and 'Havana Sunset' by Set Sail Studios (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logotypes, western, vintage, circus, poster, playful, space-saving, period flavor, high impact, decorative texture, flared, bracketed, ink-trap, condensed, high-waisted.


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This typeface is a condensed, heavy serif with flared, bracketed terminals and subtly scalloped interior corners that read like ink traps or notched joins. Strokes are largely monolinear, with small wedge-like serifs and occasional teardrop terminals that give the outlines a slightly carved, engraved feel. Counters are compact and vertically oriented, producing a strong columnar rhythm; round forms (O, C, G) are tightened into tall ovals, and joints often show small cut-ins that add texture at display sizes. Numerals match the narrow, upright stance and retain the same flared terminal logic for consistent color in headlines.

Best suited for display work such as posters, headlines, packaging labels, and signage where its condensed heft and ornamental corners can be appreciated. It can also work for punchy logotypes or short taglines, especially when a vintage or Western-leaning mood is desired.

The overall tone is theatrical and nostalgic, evoking old posters, fairground signage, and frontier-era display lettering. Its tight proportions and decorative corner detailing create an assertive, slightly mischievous voice that feels more showbill than bookish.

The likely intention is to provide a bold, space-saving display serif with period flavor—combining condensed proportions with decorative corner treatment to deliver strong impact and immediate stylistic cues in titles and branding.

The design’s distinctive character comes from the repeated notch-like shaping at inner corners and the gently expanding stroke endings, which add sparkle without introducing strong contrast. Spacing appears tuned for compact setting, favoring bold word shapes and vertical emphasis over airy texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸