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Sans Normal Bunuz 4 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Interval Next' by Mostardesign, 'Akagi' and 'Akagi Pro' by Positype, and 'Alber New' by moretype (names referenced only for comparison).

Keywords: ui text, web copy, editorial, signage, presentations, neutral, modern, clean, pragmatic, friendly, utility, legibility, modern neutrality, versatility, geometric, open apertures, rounded terminals, even color, clear numerals.


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This typeface presents a clean, straightforward sans structure with predominantly geometric construction and smooth, rounded curves. Strokes maintain an even thickness throughout, producing consistent texture in both display sizes and paragraph settings. Counters are generally open and spacious, with simple joins and terminals that read as gently rounded rather than sharply cut. The capitals feel stable and balanced with broad circular forms (notably in C, G, O, Q) and simple, linear strokes in E, F, H, and N. Lowercase forms are compact and legible, with single-storey shapes for a and g and a softly hooked descender on j; figures are clear and monoline, with a round 0 and an open, readable 2 and 3.

It works well for user interfaces, web content, and general-purpose text where even color and straightforward shapes support long-form readability. The clean capitals and clear numerals also suit signage, dashboards, and presentation graphics where quick scanning is important. At larger sizes it remains crisp and modern without relying on decorative features.

The overall tone is neutral and contemporary, aiming for clarity over personality. Its geometric smoothness gives it a mildly friendly, approachable feel, while the restrained detailing keeps it professional and utilitarian. The rhythm in text reads calm and organized, suitable for interfaces and informational typography.

The design intention appears to be a versatile, modern sans for broad everyday use, balancing geometric smoothness with pragmatic legibility. It prioritizes consistent rhythm, open shapes, and simple construction to remain dependable across both headings and body text.

Curves appear carefully regularized, giving round letters a consistent, engineered feel. Spacing in the samples looks comfortable and not overly tight, helping maintain readability in continuous text. Letterforms avoid idiosyncratic quirks, emphasizing predictable silhouettes and quick recognition.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸