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Free for Commercial Use

Stencil Isly 3 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Racon' by Ahmet Altun, 'Protrakt Variable' by Arkitype, 'Geogrotesque Stencil' by Emtype Foundry, 'Navine' by OneSevenPointFive, 'Reload' by Reserves, and 'Beachwood' by Swell Type (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, branding, industrial, utilitarian, tactical, rugged, authoritative, stencil marking, impact, rugged display, industrial tone, signage clarity, blocky, condensed, angular, segmented, high-contrast negative.


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A heavy, block-constructed sans with consistent stroke weight and sharply cut terminals. The letterforms are built from compact, squared-off geometry with rounded outer corners appearing selectively, and prominent stencil breaks that create clear internal bridges in bowls and counters. Curves are simplified into chunky arcs, diagonals are broad and planar, and counters tend to be narrow, producing a dense, high-impact texture in lines of text. The lowercase follows the same architectural logic as the caps, with sturdy stems, minimal modulation, and tightly controlled apertures for a cohesive, sign-like rhythm.

Best suited for display typography where impact and a utilitarian stencil voice are desired—posters, headlines, product packaging, labels, and wayfinding or caution-style signage. It can also work for branding in contexts that want an industrial or tactical edge, especially in short phrases and large sizes.

The overall tone feels industrial and no-nonsense, with a tactical, equipment-marking character. Its stencil segmentation suggests manufacturing, shipping, or military labeling, projecting toughness and authority rather than softness or elegance.

The design appears intended to emulate stenciled lettering used for marking objects and signage, combining bold, compact forms with deliberate breaks that read as functional bridges. The goal is strong presence and quick recognition, with a consistent, engineered rhythm across uppercase, lowercase, and figures.

The stencil gaps are large and consistently placed, remaining legible at display sizes while adding a distinctive cut-out pattern across words. Numerals echo the same segmented construction, maintaining uniform color and a rugged, engineered presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸