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Blackletter Fife 8 is a bold, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, mastheads, posters, branding, packaging, traditional, ceremonial, gothic, authoritative, dramatic, historical evocation, strong presence, textura texture, ceremonial display, heritage signaling, angular, ornate, compact, spiky, faceted.


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A blackletter-style design with heavy, inked strokes contrasted by narrow, cut-in counters and blade-like joins. Letterforms are built from angular, vertical-driven structures with pointed terminals, wedge serifs, and occasional spur-like protrusions that create a jagged silhouette. Uppercase characters are ornate and compact, while the lowercase maintains a disciplined texture with consistent verticality; bowls and diagonals break into faceted strokes rather than smooth curves. Numerals match the gothic vocabulary, using sharp turns and strong stroke modulation for a cohesive, engraved look.

Best suited for short display settings where its texture and ornament can be appreciated, such as mastheads, titles, packaging, posters, and branding with a historic or gothic theme. It can also work for certificates, invitations, and editorial headlines that want a formal, old-world voice. For longer passages, it’s most effective at larger sizes with ample spacing to preserve legibility and reduce the density of the blackletter texture.

This font conveys a ceremonial, traditional tone with a strong historical flavor. Its sharp, dramatic forms feel authoritative and formal, with an undercurrent of gothic intensity that can read as solemn, militant, or ritualistic depending on context. The dense black shapes and emphatic rhythm give it a sense of gravitas and spectacle.

The design appears intended to evoke medieval manuscript and early print traditions, prioritizing a dense, vertical texture and high-impact silhouettes. Its construction emphasizes calligraphic structure translated into crisp, carved-looking forms, aiming for visual authority and historical authenticity rather than neutrality or minimalism.

Capitals show more decorative internal cuts and flourished strokes than the lowercase, creating a clear hierarchy. The sample text demonstrates a strong word-image presence, with tight internal counters and pronounced vertical rhythm that produces a dark, continuous typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸