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Free for Commercial Use

Stencil Imno 8 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Giriton' by Hazztype, 'Chesna Grotesk' by Horizon Type, 'Candid' by Lucas Tillian, 'Glence' by Nine Font, 'Almarose' by S&C Type, and 'Pulp Display' by Spilled Ink (names referenced only for comparison).

Keywords: posters, headlines, logos, apparel, packaging, industrial, tactical, retro, sporty, tech, impact, marking, motion, ruggedness, slanted, geometric, sharply cut, high-impact, display.


Free for commercial use
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A heavy, right-slanted sans with geometric construction and crisp, sharply cut terminals. Stencil-like breaks appear consistently across bowls and stems, creating clear bridges that keep counters open while introducing a segmented rhythm. Curves are compact and sturdy, diagonals are assertive, and the overall texture is dense with strong black shapes and clean internal apertures that hold up at larger sizes.

Best suited to short, high-impact settings such as posters, headlines, logos, and packaging where the stencil breaks can be appreciated. It also works well for apparel graphics, event branding, and labels that benefit from an industrial or tactical tone; for long text, the segmented strokes may become visually busy at smaller sizes.

The stencil segmentation and forward slant give it a utilitarian, action-oriented feel—part industrial marking, part high-energy display. It reads as bold and purposeful, with a slightly retro technical flavor that suggests signage, equipment labeling, and sporty branding.

Likely designed to deliver a strong, forward-leaning display voice with a functional stencil structure, balancing legibility with an unmistakably marked, cut-through aesthetic. The consistent bridging and compact forms suggest an emphasis on reproducible, signage-like shapes with a dynamic, energetic stance.

The stencil cuts are integrated into the letterforms rather than added as decorative slices, so the breaks feel structural and repeat predictably across uppercase, lowercase, and numerals. Numerals maintain the same bridged logic, reinforcing a cohesive, engineered look across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸