Cursive Esgah 2 is a very light, very narrow, high contrast, italic, very short x-height font.
Keywords: invitations, wedding, branding, packaging, logotypes, elegant, airy, romantic, refined, poetic, calligraphic feel, personal tone, signature look, formal romance, calligraphic, delicate, looped, swashy, graceful.
A delicate cursive with a calligraphic, pen-drawn construction and pronounced thick–thin modulation. Strokes are slender overall with sharp hairlines, tapered entries, and occasional heavier downstrokes that create a lively rhythm. Letterforms are strongly slanted with long, fluid ascenders and descenders, compact lowercase bodies, and frequent looped forms; capitals are larger and more expressive, often built from sweeping initial strokes and open counters. Spacing is relatively tight and the joining behavior feels intermittent—some characters connect naturally while others remain separated—preserving a handwritten cadence.
Well-suited to wedding and event stationery, invitations, greeting cards, and boutique branding where an elegant handwritten voice is desired. It works best for short to medium display text—names, headings, pull quotes, and packaging callouts—where the delicate hairlines and expressive capitals have room to breathe. For long passages or very small sizes, its fine strokes and compact lowercase may reduce readability.
The font conveys a soft, elegant tone with a romantic, personal feel. Its flowing movement and restrained delicacy read as polished handwriting rather than casual scribble, suggesting formality without becoming rigid. The overall impression is light, graceful, and slightly dramatic due to the swash-like capitals and high contrast.
The design appears intended to emulate refined, modern calligraphy with a light touch—balancing fluid cursive motion with controlled contrast and carefully shaped loops. It prioritizes elegance and expressiveness, especially in capitals, to create a signature-like presence in display settings.
Capitals show the most flourish, with extended lead-in strokes and airy loops that can become prominent in short words or initials. Numerals follow the same calligraphic logic, with thin hairlines and gentle curves that prioritize style over utilitarian clarity at small sizes.