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Free for Commercial Use

Outline Timy 2 is a very light, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, invitations, packaging, art deco, vintage, elegant, theatrical, ornamental, display impact, vintage flair, decorative elegance, marquee look, inline, monoline, display, hairline, flared.


Free for commercial use
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A decorative outline serif with an inline, double-contour construction that leaves the counters and strokes open. The letterforms are high-contrast in impression: thin hairline outlines define shapes while occasional pointed joins and tapered terminals add sparkle. Proportions are fairly classical with moderate x-height, crisp serifs, and smooth, rounded bowls (notably in C, O, and Q), while diagonals and vertices (A, M, N, V, W) come to sharp peaks. Spacing reads open and airy, and the numerals and capitals maintain a consistent, refined rhythm suited to large sizes.

This font is best suited to headlines, titles, and short display lines where its outline construction can remain crisp. It works well for branding and logotypes, event collateral, invitations, and premium packaging where a refined, vintage mood is desired. Use it sparingly for longer passages, and prefer larger sizes and ample tracking to preserve clarity.

The overall tone feels vintage and dressy, evoking marquee lettering and early-20th-century display typography. Its airy outlines and sharp detailing give it a theatrical, formal character that reads more like ornament than text color.

The design appears intended as a stylish display face that delivers an airy, engraved or neon-tube feel through outlined, inline letterforms. Its consistent contour logic and classical proportions suggest a focus on elegance and period flavor rather than utilitarian readability.

Because the design is built from thin outlines rather than filled strokes, interior detail can visually weaken at small sizes or on low-contrast backgrounds; it performs best when allowed generous scale and clean reproduction. Curved letters maintain smooth continuity in the contours, while the more calligraphic, slightly flared terminals in the lowercase add a subtle humanist touch.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸