Sans Superellipse Orgey 11 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Swiss 911' by Bitstream, 'Helvetica' by Linotype, and 'CG Triumvirate' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, sports branding, assertive, industrial, sporty, poster-ready, no-nonsense, space-saving impact, display strength, geometric consistency, modern utility, condensed, blocky, rounded corners, uniform strokes, compact counters.
A condensed, heavy sans with a squared-off, superellipse construction: round forms read as rounded rectangles, and straight strokes terminate in crisp, slightly softened corners. Strokes are largely uniform, producing a dense, high-impact texture with minimal modulation. Counters are compact and geometric, and the overall proportions favor height and tight width, creating strong vertical rhythm. Lowercase shows a tall x-height with short extenders, keeping words compact and punchy, while figures are sturdy and built for emphasis.
Best suited to headlines and short statements where density and impact are desirable, such as posters, signage, packaging panels, and sports or team-oriented branding. It can also work for UI labels or navigation where a compact, high-contrast presence is needed, though its heavy color suggests using it sparingly for emphasis rather than long passages.
The tone is forceful and utilitarian, with a contemporary, engineered feel. Its compact geometry and hefty weight project confidence and urgency, lending a sporty, industrial edge that reads as direct and attention-grabbing.
The design intention appears to prioritize maximum visual punch in limited horizontal space, using a consistent superelliptical geometry to keep letterforms cohesive and modern. It aims for robust readability at display sizes while maintaining a tight, efficient rhythm across all-caps and mixed-case settings.
The wide, flat shoulders and squarish bowls make the design feel deliberately constructed, with consistent curvature across rounded parts. Spacing appears tuned for tight, headline-style setting, yielding a solid black mass at larger sizes and a compressed word shape when set in text.