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Free for Commercial Use

Outline Syzu 2 is a very light, very wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, album art, airy, delicate, retro, editorial, whimsical, distinctive texture, decorative display, retro modernity, graphic minimalism, monoline, outline, hairline, baseline stroke, rounded terminals.


Free for commercial use
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A hairline outline face with monoline contours and a distinctive drawn-on baseline rule that each glyph sits on or intersects. Letterforms are wide and open with generous counters, simple geometric construction, and minimal modulation, while curved strokes stay smooth and even. Terminals are clean and lightly rounded, and several characters include small curls or hooks (notably in some lowercase forms), giving the set a hand-drafted, wireframe feel. Numerals and capitals maintain the same thin contour weight and broad proportions, creating a consistent, airy rhythm across text.

Best suited for display applications such as headlines, poster typography, branding marks, packaging accents, and short editorial callouts where the baseline rule and wireframe outlines can be appreciated. It can also work for stylized signage or title treatments when set with ample size and breathing room.

The overall tone is light, playful, and slightly retro, like technical lettering or minimalist neon signage. Its constant hairline contouring and baseline rule add a quirky, illustrative personality that feels more decorative than utilitarian. The font reads as calm and refined at larger sizes, with a whimsical, sketch-like charm in mixed-case text.

The design appears intended to deliver a distinctive outline display voice—combining a monoline contour with an integrated baseline rule to create an immediately recognizable typographic texture. It prioritizes personality and graphic rhythm over conventional text robustness, aiming for a light, decorative presence in larger-format settings.

The continuous baseline stroke is a defining stylistic device and will strongly influence line texture, especially in multi-line settings where it creates repeated horizontal rules. Wide spacing and open shapes help maintain clarity, but the extremely thin outlines suggest it will visually soften at small sizes or low-contrast reproduction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸