Serif Normal Obmud 2 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: books, editorial, magazines, headlines, academic, classic, formal, literary, refined, readability, tradition, authority, versatility, editorial tone, bracketed, transitional, crisp, balanced, bookish.
A crisp text serif with bracketed wedge serifs and pronounced thick–thin modulation. The forms are broadly classical and evenly proportioned, with a steady baseline and restrained, upright rhythm. Round letters show a slightly vertically stressed construction, while joins and curves are clean and controlled, producing a sharp, print-like texture. Numerals and capitals are stately and well-balanced, with clear counters and consistent stroke endings that keep paragraphs coherent at display and text sizes.
Well-suited to book typography, long-form editorial layouts, and magazine text where a classic serif voice is expected. It can also carry section heads, pull quotes, and formal headlines thanks to its contrast and crisp finishing. The conventional structure makes it a dependable choice for academic or institutional documents that need a traditional, readable tone.
The overall tone is traditional and cultivated, leaning toward a literary, editorial voice. Its contrast and sharp serifs add a sense of authority and polish, while the steady proportions keep it composed rather than decorative. The impression is trustworthy and formal, suitable for serious reading and institutional communication.
The design appears intended as a versatile, traditional serif for continuous reading, combining classical proportions with enough contrast to look crisp in print and in prominent text. It emphasizes familiar letterforms, consistent rhythm, and a refined finish to support editorial and literary settings.
In text, the font builds a dark, confident color with clear word shapes and stable spacing. The serifs are assertive without becoming slab-like, and terminals feel precise, contributing to strong clarity in headings. The design reads as conventional and familiar, prioritizing legibility and typographic neutrality over idiosyncratic character.