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Free for Commercial Use

Sans Normal Mymar 9 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'EB Mensch' by Eko Bimantara, 'Muller Next' by Fontfabric, 'Galvani' by Hoftype, 'Plau Redonda' by Plau, 'Gigafly' by ROHH, and 'Gelder Sans' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, friendly, playful, confident, retro, impact, approachability, display clarity, geometric warmth, retro nod, rounded, geometric, blocky, stout, soft corners.


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A heavy, rounded sans with broad proportions and compact internal spaces. Curves are built from smooth, near-circular bowls with softly squared terminals, while straight strokes remain sturdy and uniform in presence. Counters are tight in letters like B, P, and 8, creating a dense, poster-like texture. Lowercase forms are simple and robust, with single-storey a and g, a short-shouldered r, and a wide, flat-topped t that reads clearly at display sizes.

This font is best suited to headlines, posters, and bold branding where a strong, friendly voice is needed. It can work well for packaging and signage that benefits from quick recognition and a compact, high-ink silhouette, and it’s particularly effective for short phrases, labels, and punchy typographic statements.

The overall tone is upbeat and approachable, with a chunky, high-impact presence that feels confident rather than severe. Its rounded geometry and soft corners lend a friendly, slightly retro flavor that suits energetic, attention-grabbing messaging.

The design appears intended to deliver maximum impact with a warm, geometric softness—combining sturdy stroke forms with rounded construction to keep the tone approachable. It emphasizes legibility and presence in large sizes, aiming for a contemporary display look with a hint of retro charm.

The numerals are especially stout and graphic, with round 0 and 8 and strong horizontal cuts on 2, 3, and 5. In the sample text, the dense color and tight counters make it most effective when given generous size and breathing room, as long lines can feel visually packed.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸