Sans Superellipse Pykif 9 is a regular weight, very narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, signage, packaging, art deco, retro, architectural, sleek, playful, space saving, display impact, retro modern, clean geometry, distinct identity, condensed, geometric, rounded, tall, crisp.
This typeface is built from tall, condensed proportions with consistent, monoline strokes and a strong vertical emphasis. Curves tend to resolve into rounded-rectangle (superellipse-like) shapes, producing narrow counters and smooth, controlled arcs. Many joins and terminals are blunt or softly rounded, and the overall spacing feels tight but orderly, creating a clean, rhythmic texture in text. The mix of straight stems and rounded corners gives letters a distinctly geometric silhouette without becoming rigid.
Best suited to headlines, posters, branding marks, and packaging where a condensed, geometric voice can add height and impact without heavy weight. It also works well for signage and short UI labels when you want a distinctive, streamlined look, though its narrow counters and stylization suggest using it more for display than long-form reading.
The overall tone feels Art Deco–adjacent and retro-modern: streamlined, city-signage clean, and slightly whimsical in its rounded-rectangular geometry. It carries a confident, display-friendly personality that reads as both vintage-inspired and contemporary minimal.
The design appears intended to provide a compact, high-impact sans with a rounded-rectangular construction that nods to vintage display typography while remaining clean and systematic. Its condensed build and consistent stroke make it useful for fitting more characters into limited horizontal space while keeping a recognizable, stylized identity.
Round letters (like O/C) read as narrow capsules, while vertical-stem letters (like H/N/U) reinforce an architectural, pillar-like cadence. Descenders and ascenders are kept tidy, and the figures match the condensed, upright rhythm, making numerals feel integrated rather than secondary.