Sans Superellipse Kuhi 6 is a very bold, very wide, monoline, upright, normal x-height font visually similar to 'KONSTRUCT' by Komet & Flicker and 'Quareg' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, futuristic, techno, arcade, industrial, space-age, impact, futurism, modularity, signage, branding, squared, rounded corners, geometric, modular, blocky.
A heavy, squared display sans built from rounded-rectangle forms and consistent stroke thickness. Corners are broadly radiused, terminals are blunt, and counters tend toward rectangular apertures, producing a compact, engineered silhouette. The lowercase follows the same modular construction as the uppercase, with simplified bowls and minimal joins; diagonals are used sparingly and feel cut from the same grid. Numerals and punctuation adopt the same boxy geometry, keeping texture even and strongly graphic at text and headline sizes.
Best suited to short, high-impact settings such as headlines, poster titling, branding marks, and product or packaging graphics. It also fits interface-style applications—game menus, sci‑fi UI mockups, and techno-themed event materials—where a modular, geometric texture is desirable.
The overall tone is synthetic and machine-made, evoking sci‑fi interfaces, arcade hardware, and industrial labeling. Its rigid geometry and enclosed shapes create a confident, assertive voice with a playful retro-tech edge.
The design intention appears to be a bold, grid-driven display face that maximizes presence while maintaining clean, rounded-rectangle construction. By standardizing stroke weight and using simplified, modular counters, it aims to deliver a cohesive, futuristic look across uppercase, lowercase, and figures.
Letterforms show a strong grid logic with inset bars and slot-like counters (notably in E, a, 3), and a frequent use of squared bowls (O, Q, 0) that read like rounded frames. Spacing appears deliberately open for such a heavy design, helping maintain separation in dense settings, though the blocky forms keep the rhythm emphatically mechanical.